What: Harlan W. Butt: National Parks Project, an exhibition of work by the Regents professor of studio art of College of Visual Arts and Design at the University of North Texas

When: Feb. 5 (Friday) – 27 (Saturday). A reception will take place from 5:30 to 7 p.m. Feb. 5 (Friday).

Where: UNT on the Square, 109 N. Elm St., Denton

Hours: 9 a.m. - noon and 1 - 5 p.m. Monday - Friday, with extended hours until 8 p.m. on Thursdays, and 11 a.m. - 3 p.m. Saturdays

Cost: Free

DENTON (UNT), Texas -- A series of vessels inspired by the national parks are the subject of the exhibition Harlan W. Butt: National Parks Project, to be shown Feb. 5 (Friday) – 27 (Saturday) at UNT on the Square.

A reception for Butt, Regents Professor of studio arts at the University of North Texas, will take place from 5:30 to 7 p.m. Feb. 5 (Friday). Butt visited the parks and created the work during when he had a semester off from teaching as a Faculty Fellow from the Institute of the Advancement of the Arts, the armof UNT that promotes artistic and creative expression.

"Even though national parks are regulated, the environment is close to the way it existed before humans occupied it," he said. "It is constantly inspiring."

Since 2003, Butt has traveled to about a dozen parks -- including Acadia in Maine, Denali in Alaska and Yellowstone in Wyoming. He even had an artist-in-residency at the Grand Canyon in Arizona and Denali in Alaska. During those journeys, he has journaled, photographed, sketched and written haiku about his surroundings.

Once home, he created the vessels. The vessels meld his two lifelong passions – art and the outdoors. As a child, he was a Boy Scout and frequently went camping. He has been working in metalsmithing and jewelry, making boxes, reliquaries and other vessels throughout his career.

"Every vessel is an extension of my pursuit to understand nature," he said. "These vessels document that pursuit."

He forms the vessel shape out of metal, then applies the enamel through different processes – such as cloisonné or champlevé.

For the Grand Canyon, he wanted to capture the feeling of being on the rim of the canyon, where viewers see the moonscape of the rocks. He also included a replica of the bright orange feather of an Oriole he observed near the canyon.

For Acadia, one vessel features a bonsai-like tree that was arched over the lake and the brilliant colors of the autumn leaves. Another vessel shows seagulls flying over the seashore.

Each vessel also contains a haiku he wrote -- an art form he took up after living in Japan.

"To me, haiku requires that one be totally aware," he said. "It's an expression so short there's no excess. It's supposed to express nature and to be selfless. It is another layer of communication that I add to each piece."

And awareness was an important element when he was in the parks. When he was walking the trails of Glacier National Park in Montana, he whistled and wore bells used to deter bears.

"That inspired paying attention," he said. "You observe a lot more. You're not thinking about yourself or your needs. You're just there."